And the Winner Is...

My 2011 Oscar predictions on NBC's 5 o'clock news.

View more videos at: http://www.nbclosangeles.com/?__source=embedCode.

Appearing on "First Dollar Gross"

You know what I love about this? I started the show by saying I hated the trend toward vulgar rom-coms and ended it by singing Dave Chappelle's R.Kelly spoof, "P--s on You" with Damon Houx. Hey, I didn't say I oppose vulgarity, just bad movies that stab at vulgar humor and miss.


Watch live video from GeekWeek on Justin.tv

Reviewing "Biutiful" and Sizing Up the Best Picture Oscar Race

Biutiful, Bardem and Best Picture Oscar Best Bets...

More Golden Globe Predictions on NBC's Today in LA

Six Days to "Private Chefs" Premiere: The Interviews Begin...

After the past few whirlwind weeks, which included the Social Network junket in New York City and a five day press tour of Nashville where I ate my weight in biscuits and honey, I've returned to surprisingly rainy LA to hit the ground running and get ready for next week's premiere of Private Chefs of Beverly Hills.

Working as a writer and interviewing people as often as I do, finding myself on the receiving end of questions like, "What do you have coming up next?" (The classic exit/filler question), "What can we expect to see this season?" (Usually asked by someone who doesn't actually watch the show) or "What's your favorite thing to cook?" (The #1 most common query), is both bizarre and hilarious. It's like being on a first date where you know you have to make a good impression, but you doubt the guy will ever call you again.

Screencrave (big ups, Mali Mal!) and Monsters and Critics (thank you, Miz April) just posted their interviews with me and, as I was reading them, it hit me; the show is coming back. I'm going to be on the Food Network again. Crazy!

I know that should already make sense to me, but I never seem to fully be able to wrap my mind around the concept.

Six days and counting. PCOBH returns on October 12th at 9pm.

Check out the interviews here:

Screencrave - http://screencrave.com/2010-10-06/interview-sasha-perl-raver-talks-cooking-with-the-private-chefs-of-beverly-hills/

Candids from The Social Network Junket

Last weekend, I had the amazing opportunity to fly to New York to cover The Social Network.

Ummm, seriously? New York, baby daddy JT, Jesse Eisenberg, and the chance to see what was already being hailed as one of the best films of the year?

Done and done.

While the entire trip was insanely idyllic (I'll post more photos very soon), here are a few behind-the-scenes shots from the trip to accompany my feature and Fox News appearance.

My room at The Regency on 61st and Park could have rented for $3000 a month by New York standards. And what was I going to do with two massive beds? At first I debated setting and alarm for 4am, thinking I'd shout "Rotate!" and swap in my sleep, but instead I decided to make more practical use and jump back and forth until I was panting, spent and uncontrollably giggling.

The next morning, bright and shiny, we journalists converged on The Harvard Club, the same spot we'd gotten liquored up the night before at the film's after party, to grill the movie's stars and writer, Aaron Sorkin. Note the elephant head mounted on the wall. That ain't fake, ya'll.

Anxiously awaiting the arrival of JT, Eisenberg, Sorkin, Spiderman 2.0 Andrew Garfield and Armie Hammer, one of the most tropical men I've had the pleasure of admiring in far too long.

Ned, who came through looking extra spiffy, was my un-official escort for the weekend. A girl couldn't ask for better.
Armie Hammer, Justin Timberlake, Jesse Eisenberg, Andrew Garfield and Aaron Sorkin.

Now there's a Social Network I'd like to be part of.

I can't stress enough what an outstanding movie The Social Network is. Eisenberg moves into the ranks of my favorite leading men with this role, superbly sculpted by Fincher and Sorkin. Go. NOW! It's brilliant.

Jesse Eisenberg's Peanut Fears After "The Social Network" on Lips and Ears

I wanted to squeeze Jesse Eisenberg's adorable, insanely talented, little face after he busted out a Peanut's reference at The Social Network junket in New York last week.

Here's what he said (I come in after the Clooney bit):

"The Social Network" of Timberlake, Sorkin and Eisenberg

Amongst greatness, the best and brightest flourish.

Could that be a slogan for an Ivy League enclave? Absolutely, but it’s also what makes The Social Network, set in the hallowed halls of Harvard, one of the best films of this year, if not the decade (though it pains me to side with Peter Travers in such gushing praise).

Consider the films’ pedigree; written by Aaron Sorkin (The West Wing), directed by David Fincher (Seven, Fight Club), starring Jesse Eisenberg, Justin Timberlake and newly minted megastar Andrew Garfield (aka: Spiderman 2.0), The Social Network, an adaptation of Ben Mezrich’s 2009 book about the founding of Facebook, The Accidental Billionaires, is a parade of some of Hollywood’s most captivating talent turning in work of the highest caliber.

On a balmy September afternoon in Manhattan, Sorkin, Timberlake and Eisenberg settle into embossed leather chairs at the Harvard Club under oil paintings of white haired men sporting General Custer mustaches and taxidermy, including an elephant head, trunk flaring, to discuss the film which is already considered a sure Oscar contender.

Sorkin has long asserted that his writing is simply people sitting in rooms talking, so how was he able to make mindnumbingly mundane moments, things like blogging and depositions, frenetic, wrought and pulsating in the film?

“Well, they’re not sitting in rooms talking, they’re standing in rooms talking and that’s how I infuse it with a Michael Bay-type energy,” Sorkin deadpans. “My parents took me to plays starting when I was too little to understand what the plays were about, like Who’s Afraid of Virginia Woolf when I was eight years old. Because I didn’t understand the story on onstage, I fell in love with the sound of dialogue, it sounded like music to me, and I wanted to imitate that when I wrote.”

Fans of the writer’s previous work will instantly recognize his hand in The Social Network’s opening scene, a patently Sorkin rapid-fire exchange which finds Facebook founder Mark Zuckerberg (Eisenberg) in the midst of a breakup conversation with Erica Albright (Rooney Mara).

“I wanted to start out at 100 miles an hour, in the middle of a conversation, so that the audience would have to run a little just to keep up with us,” Sorkin explains. “And then sequences like the one that follows where Mark is blogging, drinking and hacking; David shot it and cut it and [Nine Inch Nails frontman] Trent Reznor scored it like it was bank robbery, like an action sequence.”

“We performed that scene 99 times,” Eisenberg points out quickly and without venom. “[Fincher] refused to do it the extra time to make it an even hundred. For an actor, that’s what you want. That’s what’s thrilling.”

“That was David’s process,” Timberlake interjects. “Working digitally with this film,” which was shot on a Red One camera, “it was almost like he would use the first twenty to twenty-five [takes] as a rehearsal and if something good came out of it, it was more of a fluke in his mind that what he was trying to get. You’d get to the 25th or 26th take and he’d say, ‘Great. Print that. Erase everything else.’ And you’d be like, ‘Whoooa! Wait. Really? Oookay, so we’re starting over?’ But while feeling like you were running wind sprints which turned into a marathon, it was freeing to be a part of that process.”

“We’re asked about the great number of takes as if the actors are in opposition to it,” Eisenberg says. “Every actor I know would stay there all day if there was film in the camera. This film was a blessing and we were thrilled for the time we got actually acting and not sitting around waiting to act.”

Sorkin reveals Fincher also vetoed any flouncy, typical Hollywood perks you’d expect to see on a set, like directors’ chairs, big trailers or an overflowing craft service table.

“David didn’t believe in frills or bells and whistles,” Sorkin says. “On this movie you sat on the floor when you weren’t working. David doesn’t like to spend money if it doesn’t go onscreen.”
“The money for this film went to the time to make it,” Timberlake adds. “It’s so amazing for a director to say, I want time for my actors to act and for me to watch them act and direct them. He’s one of the bravest directors you could ever be lucky enough to work with.”

The Social Network opens October 1.