Showing posts with label Mother and Child. Show all posts
Showing posts with label Mother and Child. Show all posts

Friday, May 7, 2010

Feel the Love for "Mother and Child"


Rodrigo Garcia loves women. With a decade of filmmaking experience, his ability to create small, interwoven, deeply personal portraits of the fairer sex has been well demonstrated in works like "Things You Can Tell Just By Looking at Her" and "Nine Lives," but never before has his esteem for the role of wife, mother and daughter been more beautifully captured than in his latest offering, "Mother and Child."

The film begins in dreamy soft focus, the edges of the frame blurring the way a memory would over time, as a fourteen-year-old girl has sex for the very first time only to find herself pregnant, surrounded by other sequestered young mothers, in labor and then forced to give her child up for adoption. Jolting forward forty years to present day, we meet the first of three women, Karen (Annette Bening), the once young mother still tormented by giving up her child, Elizabeth (Naomi Watts). Rounding out the tale is Lucy (Kerry Washington), a woman incapable of bearing children, trying to adopt as her marriage withers.

Bening is crushing as a haunted woman trying to fortify herself by holding the world at arm's length until she meets Paco (Jimmy Smits), who embraces her despite her prickly exterior. Watts' cold calculation and deep seeded resentment boil under an alarmingly placid façade, making for a fascinating character study, especially when she slips into a romantic entanglement with her boss (Samuel L. Jackson), a man she introduces to her aghast neighbors as her father. Washington does slightly less with what she's given, vacillating between poised, sunny perfection and undone hysterics, but has moments of stunning truth, like when she can't make her baby stop crying so she breaks down herself.

Delving into territory that has seen one too many passes on the Lifetime Movie Network, melodrama and schmaltz are easy pitfalls for a story about the ramifications of adoption. But Garcia braids his narrative so successfully, though the trajectory can be predictable, it's no less heartbreaking. Moving, captivating, beautifully shot and filled with stellar performances, "Mother and Child" is one of the best films so far in 2010.

Thursday, May 6, 2010

What's Playing: May 7th

Opening this weekend...

Iron Man 2 (Paramount)

You know him, you love him, and this time he’s rocking out to the sounds of AC/DC. Robert Downey Jr. is back as everyone’s favorite billionaire inventor turned superhero, Iron Man. Gwyneth Paltrow also returns as Pepper Potts, while Don Cheadle steps into Terrence Howard’s role after some well-publicized bad blood. Filling in the role of resident baddie is Mickey Rourke as Ivan Vanko/Whiplash who’s out to destroy Iron Man. That is, if the US military doesn’t get to him first.

Spoiler alert: DJ AM, who passed away after an accidental drug overdose in September 2009, makes a cameo as himself.

Babies (Focus Features)

Just in time for Mother’s Day, a beautifully shot documentary following one year in the lives of four babies around the world; Ponijao (Opuwo, Namibia), Bayar (Bayanchandmani, Mongolia), Mari (Tokyo, Japan), and Hattie (San Francisco, California). It’s like Planet Earth, but with children.

Mother and Child (Sony Pictures Classics)

A drama about motherhood stacked with outstanding actors including Naomi Watts, Annette Bening, Jimmy Smits and Samuel L. Jackson. Bening is a 50-year-old woman who gave her daughter up for adoption 35 years ago, Watts is the daughter she never knew, and Kerry Washington is a woman looking to adopt a child of her own.

Casino Jack and the United States of Money (Magnolia Pictures)

Academy award-winning documentarian Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room) uncovers the corruption surrounding and perpetrated by Jack Abramoff, a lobbyist currently incarcerated for bribing members of Congress. Gibney’s gunning for Michael Moore’s thunder and this tale of mob hits, casinos and idiocracy proves he’s worthy.