When I called James Franco and Anne Hathaway "The White Knuckle Express," I had no idea how right I'd be. What you don't see on-camera is the email I got from Ted Chen moments after the Oscar broadcast began titled: "You were right."
Showing posts with label Adrien Brody. Show all posts
Showing posts with label Adrien Brody. Show all posts
Monday, February 28, 2011
Thursday, July 8, 2010
Adrien Brody, Robert Rodriguez and Nimrod Antal Talk "Predators"
Since the classic first Predator film was released in 1987, it’s trudged down a long, sloping road toward embarrassing mediocrity thanks to Predator 2, Alien vs. Predator and the bastard stepchild in the attic, Alien vs. Predator: Requiem.In an attempt to reboot the franchise, producer Robert Rodriguez teamed up with director Nimrod Antal (Vacancy, Kontroll) to make a film they hope will be what Aliens is to Alien, hence the additional “S” in the title. Both are admitted Predator fans who recall in detail the first time the saw the Schwarzenegger vehicle.
“I remember going to [the original film] with my brother,” Rodriguez begins. “We went to see it thinking it was a Commando-type movie and I remember the audience reaction [halfway through]. They were kind of confused when it turned sci-fi and horror. Everyone was a little, like, ‘Wow, what the hell was that movie?’ And it just caught on and caught on and kept growing in popularity. There was something very unique about it. It inspired me to do mixed genre features later.”
“14 years old, Avco on Wilshire, [four of my best friends from junior high] and I, and I walked out going, ‘Whoa!’” Antal counters. “And the day my agent called and said I was going to be directing this movie, I was reunited with those guys after 15 years. I was in a restaurant with them. True story.”
Having been intensely influenced and captivated by the film as teenagers, they approached the material with nostalgia, reverence and verve. “We always started with the original film,” Antal insists. “We wanted to make something the fans would appreciate, but would stand on its own without aping [the original].”
That meant no Schwarzenegger, who, Rodriguez laughs, wouldn’t have been available anyway since he was busy being the Governator. Hunting for a lead actor who could shoulder the weight of the genre piece, they stumbled on an unlikely pick: Adrien Brody.
“It seems, on paper, an odd choice but it really wasn’t,” Rodriguez shrugs. Brody was initially offered a supporting part which would later be cut from the script, but the actor said he was more interested in playing the lead. Rodriguez, imitates the director response to Brody’s query. “‘I don’t know, what do you think? Should we do it, bro? He’s an Oscar-winning actor.’ Anytime you have an Oscar-winning actor wanting to be in a Predator movie, you should probably go that route,” he laughs.
“I remember going to [the original film] with my brother,” Rodriguez begins. “We went to see it thinking it was a Commando-type movie and I remember the audience reaction [halfway through]. They were kind of confused when it turned sci-fi and horror. Everyone was a little, like, ‘Wow, what the hell was that movie?’ And it just caught on and caught on and kept growing in popularity. There was something very unique about it. It inspired me to do mixed genre features later.”
“14 years old, Avco on Wilshire, [four of my best friends from junior high] and I, and I walked out going, ‘Whoa!’” Antal counters. “And the day my agent called and said I was going to be directing this movie, I was reunited with those guys after 15 years. I was in a restaurant with them. True story.”
Having been intensely influenced and captivated by the film as teenagers, they approached the material with nostalgia, reverence and verve. “We always started with the original film,” Antal insists. “We wanted to make something the fans would appreciate, but would stand on its own without aping [the original].”
That meant no Schwarzenegger, who, Rodriguez laughs, wouldn’t have been available anyway since he was busy being the Governator. Hunting for a lead actor who could shoulder the weight of the genre piece, they stumbled on an unlikely pick: Adrien Brody.
“It seems, on paper, an odd choice but it really wasn’t,” Rodriguez shrugs. Brody was initially offered a supporting part which would later be cut from the script, but the actor said he was more interested in playing the lead. Rodriguez, imitates the director response to Brody’s query. “‘I don’t know, what do you think? Should we do it, bro? He’s an Oscar-winning actor.’ Anytime you have an Oscar-winning actor wanting to be in a Predator movie, you should probably go that route,” he laughs.
“His passion was so refreshing,” Antal continues. “To see someone of his caliber really want something as bad as he did was awesome. He came in saying, ‘I want this! I’ll fight for this. I’ll prove you guys wrong if you have any doubt.’ That was bitchin’.”
Asked what drove his desire to step into the lead role of a franchise like Predator, Brody, who speaks with both lulling calm and sharp exactitude replies, “It’s surprising to me when people are surprised by my choices. As an actor, I made a conscious decision to not repeat myself so that I keep the process interesting for myself and the people who have seen my work. I looked long and hard for an opportunity like this.”
Brody admits it wasn’t easy to secure the endorsement of a movie studio, but thanks to Antal and Rodriguez’s support, he landed the role and kicked off intensive preparation that included a restricted diet, heavy weight lifting for the first time since college, books on Buddhism and by ancient military strategist Sun Tzu, as well as “pouring over military manuals and field guides.” He said he did “as much as I could to create someone who has a sense of control, awareness and ability to not let fear that would naturally ensue paralyze him actually propel him into being a warrior. I [tried to] harness everything in my power to be ferocious.”
As the movie arrives in theaters, Brody views his work in the film as “a big coup.”
Asked what drove his desire to step into the lead role of a franchise like Predator, Brody, who speaks with both lulling calm and sharp exactitude replies, “It’s surprising to me when people are surprised by my choices. As an actor, I made a conscious decision to not repeat myself so that I keep the process interesting for myself and the people who have seen my work. I looked long and hard for an opportunity like this.”
Brody admits it wasn’t easy to secure the endorsement of a movie studio, but thanks to Antal and Rodriguez’s support, he landed the role and kicked off intensive preparation that included a restricted diet, heavy weight lifting for the first time since college, books on Buddhism and by ancient military strategist Sun Tzu, as well as “pouring over military manuals and field guides.” He said he did “as much as I could to create someone who has a sense of control, awareness and ability to not let fear that would naturally ensue paralyze him actually propel him into being a warrior. I [tried to] harness everything in my power to be ferocious.”
As the movie arrives in theaters, Brody views his work in the film as “a big coup.”
“I’m very protective of this material because I’m a fan of the original, I’m also respectful to fans and wanted to give them what they wanted and hopefully elevate the material as well,” Brody says. “I’ve seen it once and was kind of awestruck at both loving the film and simultaneously being so proud to be in it. It brought me back to being a child and being like, ‘I love this fucking movie.’ And then it’s me in it. It’s so exciting. It’s a gift.”
Predators opens July 9th
Predators opens July 9th
Wednesday, April 14, 2010
"Who Do You Love" is an Old Tune
Music is all about timing. So are movies. That's why the indie "Who Do You Love" sinks in the shallow end.
The film is biopic about Leonard Chess who founded Chess Records and introduced the world to the sounds of such musical luminaries as Muddy Waters, Willie Dixon, Etta James and Bo Diddley. "At Last," the song the Obamas used to ring in Barack's inauguration, brought to you by Chess Records.
Are you having déjà vu? That's because you've already seen this film. It came out two years ago and it was called "Cadillac Records," but last time it had a much bigger budget and cast filled with marquee names like Adrien Brody and Beyonce Knowles. "Who Do You Love" only pales in comparison, which isn't saying much considering the lukewarm response its' predecessor received from audiences and critics.
Following a similar paint-by-numbers musical biopic formula, Alessandro Nivola takes the lead as a driven but removed Chess, David Oyelowo proves a dynamic Muddy Waters, and Chi McBride is scene stealing as Dixon. But the film never rises above the expected and, with the exception of a few triumphant moments in the recording studio, director Jerry Zaks recreates a story that feels more like chamber music rather than rhythm and blues.
"Who Do You Love" is predictable and reductive (i.e.: when a red neck is cured of his racism through a harmonica duet), but the music is undeniable. The film's greatest achievement is in passing the Chess catalog along to new ears with songs like "Gone Fishing" and "Stuff You Gotta Watch." But that's a reason to visit iTunes not your local movie theater.
"Who Do You Love" opens in limited release April 16.
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